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Sian Lee
Berliner Allee 121e
13088 Berlin
Deutschland
+49 (0)151 75 01 66 21
@
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Verantwortliche
Sian Lee
Berliner Allee 121e
13088 Berlin
Deutschland
+49 (0)151 75 01 66 21
@
Falls du Fragen zum Datenschutz bei sian-lee.com hast, zรถgere nicht, mich zu kontaktieren.
Stand: 10. April 2023
Sian Lee (a.k.a Sian Weissling)Photo Researcher and Photographer
1989, born in Dangjin, South Korea
Lives and works in Berlin, Germany
Summary
Sian worked in the editorial team of the Green Party's <Knock, Knock, Knock, Nock You> newsletter and quarterly magazine planning, proofreading, revising, editing, translating, and contributing. Currently, as the Berlin correspondent for Monthly Photography, she introduces noteworthy foreign photographers who are not yet well known in Korea. She published โLee Sianโs Photo Curation: <Contemporary Color Analog Abstract Photography>โ as a special series. Sian is passionate about photography that adheres to the analog method in the dark room without a safelight, and is researching the importance of contemporary color analog photography technology and chemical techniques.
Education
- 2020 M.A. Arts and Cultural Policy, Ewha Womans University, Seoul, South Korea
- 2019 B.A. Photography, University of Europe for Applied Sciences, Berlin, Germany
- 2011 A.A. Photographic Art, Kaywon University of Art and Design, Uiwang, South Korea
Professional Experience
- 2024 Reviewer and Mentor, Homecoming Day Portfolio Review & Mentoring, Department of Photographic Art, Kaywon University of Art and Design, Uiwang, South Korea
- 2024 Arts and Culture Team, Staff, Asan Foundation for Arts and Culture, Asan, South Korea
- 2023 Editor-in-Chief, performance culture magazine <H-Perspective> of the Department of Performing Arts, Howon University, Gunsan, South Korea
- 2023 CEO and Photographer, Sianโs Studio, Berlin, Germany
- 2023 Berlin Correspondent, Monthly Photography, Seoul, South Korea
- 2023 Artist and CEO, Sianโs Company, Berlin, Germany
- 2022 Profile Picture Photographer, Performing Arts Planning Management 3rd Year, Thesis Project Capstone Design <Newspective Magazine>, Chungwoon University, Hongseong, South Korea
- 2022 Profile Picture Photographer, Faculty of Performing Arts, 3rd Year Creative Practice Majoring in Musical <The Trojan Women>, Howon Art Hall, Seoul, South Korea
- 2022 Contents Business Team, Junior Researcher, Korea National University of Arts: KโArts Creative, Seoul, South Korea
- 2019 Editorial Committee, Knock, Knock, Knock, Nock You, Berlin, Germany
- 2019 Exhibition Photographer, <MuEon Daeon>: Kate Hers Rhee, Korea Verband, Berlin, Germany
- 2019 Photo Group Exhibition, <291Photographs*>, Lotte Department Store, Seoul, South Korea
- 2019 Exhibition Photographer, <La piele que explota>: Hyo Jin Shin, Otto Oscar Hernandez, The Ballery, Berlin, Germany
- 2019 Event Photographer, Presentation <Art Garden in Berlin: The Third Nature>(Keum Art Projects), German Cultural Center in Korea, Berlin, Germany
- 2019 Event Photographer, Sonagilab: German Policy Analysis Research Network Reception, Berlin, Germany
- 2019 Event Photographer, Waacking Dance Workshop with Ray, Korea Verband, Berlin, Germany
- 2019 Product Photographer, Oh-Licht, Berlin, Germany
- 2018 Photo Group Exhibition, Re: Bachelor + Master Graduation Exhibition, University of Europe for Applied Sciences (Campus Berlin), Berlin, Germany
- 2018 Exhibition Photographer, <Der Projektraum Schneeeuleโs: To Pool #3>, Bastian Hagedorn, Dominik Noรฉ, Eilis Frawley, Jee Young Sim, Lisa Stewart, Solarent, Berlin, Germany
- 2017 Photo Assistant, Internship, Project100, Seoul, South Korea
- 2015 Photo Assistant, Internship, GRADE Ahn Joo Young Studio, Seoul, South Korea
- 2014 Photo Group Exhibition, Participation in the Class Group Exhibition of Curator Maren Lรผbbke-Tidow, Kunstquartier Bethanien, Berlin, Germany
Bibliography
- Lee, Sian. (2024, December 1). [Special Series - Sian Leeโs Photo Curation: Seventh Experimental Photo Using Contemporary Color Analog or Mixed Media] Victoria Marques Pinto Creates Imaginary Seascapes by Combining Photos of the Sea with Pieces of Ocean Plastic, Monthly Photography, 682, 86-91.
- Lee, Sian. (2024, September 1). [Special Series - Sian Leeโs Photo Curation: Sixth Experimental Photo Using Contemporary Color Analog or Mixed Media] Chloe Sells Breathes New Life into Analog Photographs by Infusing Them with Vibrant Colors in the Darkroom, Monthly Photography, 679, 102-107.
- Lee, Sian. (2024, May 1). 4th Selection of the 'Pitching' Critique Project] Photos, Comfort and Solidarity, Art in Culture, Vol. 25 No. 5, 171.
- Lee, Sian. (2024, May 1). [Special Series - Sian Leeโs Photo Curation: Fifth Experimental Photo Using Contemporary Color Analog or Mixed Media] Lea Colombo, a Color Analog Technique Photographer Who Crosses the Border Between Commercial and Artistic Photography, Monthly Photography, 675, 96-101.
- Lee, Sian. (2024, April 1). [Special Series - Sian Leeโs Photo Curation: Fourth Experimental Photo Using Contemporary Color Analog or Mixed Media] Jessica Backhaus, a Photographer Who Handles Objects Artistically, Monthly Photography, 674, 98-103.
- Lee, Sian. (2024, March 1). [Special Series - Sian Leeโs Photo Curation: Third Experimental Photo Using Contemporary Color Analog or Mixed Media] Sebastiaan Bremer Experimented with Techniques and Materials That Changed the Material Existence of Images, Monthly Photography, 673, 106-113.
- Lee, Sian. (2024, February 1). [Special Series - Sian Leeโs Photo Curation: Second Experimental Photo Using Contemporary Color Analog or Mixed Media] Terri Loewenthal Intersects Landscape and Spirit with Extraordinary Optics, Monthly Photography, 672, 90-95.
- Lee, Sian. (2024, January 1). [Special Series - Sian Leeโs Photo Curation: First Experimental Photo Using Contemporary Color Analog or Mixed Media] Immersed in โPerformative Approachโ Alex Heide, Monthly Photography, 671, 94-101.
- Lee, Sian. (2023, December 1). [Special Series - Sian Lee's Photo Curation: Contemporary Color Analog Abstract Photography 5th] Nicolai Howalt Photographs the Visible and Invisible Spectrum of Light - the Life-Giving Power of the Sun and the Destructive Power of Radiation, Monthly Photography, 670, 78-85.
- Lee, Sian. (2023, November 1). [11th Unseen Photo Fair 2023 Review] A Look at the Unseen Photo Fair 2023 Held in Amsterdam, Netherlands, Monthly Photography, 669, 98-107.
- Lee, Sian. (2023, October 1). [Special Series - Sian Lee's Photo Curation: Contemporary Color Analog Abstract Photography 4th] Marta Djourina Visualizes the Structure of Coincidence in Photography, Monthly Photography, 668, 72-77.
- Lee, Sian. (2023, September 1). [Special Series - Sian Lee's Photo Curation: Contemporary Color Analog Abstract Photography 3rd] Painter and Photographer Liz Nielsen Paints with Light, Monthly Photography, 667, 76-87.
- Lee, Sian. (2023, August 1). [Special Series - Sian Lee's Photo Curation: Contemporary Color Analog Abstract Photography 2nd] Mariah Robertson's Color Analog Abstract Photography: Replicating a Series of Movements in Total of Darkness โ Chemigram and Photogram Performance, Monthly Photography, 666, 68-77.
- Lee, Sian. (2023, July 1). [Special Series - Sian Leeโs Photo Curation: Contemporary Color Analog Abstract Photography, First] Adaptations: Approaching โColor Analog Abstract Photographyโ like a Musician: Niko Luoma, Monthly Photography, 665, 88-94.
- Lee, Sian. (2023, June 1). Exploring the Frontier of โPost-Humanโ Linearity of Photographic Ontology in Boris Eldagsen's Promptography, Monthly Photography, 664, 108-113.
- Lee, Sian. (2023, May 1). German Portrait Photographer Gรถran Gnaudschun at Alexanderplatz: Towards the Beings Wandering Around the Edges of Life - an Adventure of Solidarity Through the Language of Photography, Monthly Photography, 663, 76-85.
- Lee, Sian. (2022, November 24). The Long Road to Self-Determination for Women in East Germany, Knock, Knock, Knock, Nock You, 21, 14-16.
- Lee, Sian. (2022, April 11). Interview with 2 People Whose Daily Lives Have Changed Due to COVID-19, Knock, Knock, Knock, Nock You, 20, 32-36, 48-57.
- Lee, Sian. (2021, June 17). The Story of Five Transgender People by Photographer Jess T. Dugan: To Survive on This Shore (2013-2018), Knock, Knock, Knock, Nock You, 19, 54-66.
- Lee, Sian. (2020, November 13). German Green Party Member Interview: Holger Kunz, Knock, Knock, Knock, Nock You, 17, 62-66.
- Lee, Sian. (2020, June 6). COVID19, Long-Term Stay Self - Isolation - Plogging Campaign, Knock, Knock, Knock, Nock You, 16, 12-13.
- Lee, Sian. (2019, December 31). Dreaming of Forbidden Freedom - Extremely Personal But: The Podium of Photographer Tina Bara's Work, Knock, Knock, Knock, Nock You, 14, 36-41.
- Lee, Sian. (2019, December 31). People Who Experienced the DDR, Knock, Knock, Knock, Nock You, 14, 5-9.
- Lee, Sian. (2019, September 6). Editorโs Note, Knock, Knock, Knock, Nock You, 13, 2-3.
Academic Writing
- Lee, Sian. (2021). Lee Yong-Woo (1902-1952) A Study on Painting in the Mukro Period - Focusing on Figure Painting and Flower and Bird Painting. Ewha Womans University.
- Lee, Sian. (2021). The Construction of National Art and the Prevalence of National Art Theory. Ewha Womans University.
- Lee, Sian. (2021). Study on Textile Relics of Vairocana Buddha at Haeinsa Temple. Ewha Womans University.
- Lee, Sian. Jung, Yanghee. (2021). ยปUnderstanding Josangyeongยซ : From the Introduction to the New Law. Ewha Womans University.
- Lee, Sian. (2021). ยปHaeinsa Daejeokgwangjeon and Beopbojeon Vairocana Buddha Costume Relic Research Reportยซ : Focusing on Discovery Circumstances and Investigation Outline. Ewha Womans University.
- Lee, Sian. (2018/19). Contemporary Color Photograms and Related Abstracting Analogue Techniques. University of Europe for Applied Sciences (Campus Berlin).
- Lee, Sian. (2018). Random Techniques and Authenticity in Modern Experimental Analog Photography. University of Europe for Applied Sciences (Campus Berlin).
- Lee, Sian. (2018). The Return of the Vanitas Still Life in the Present. University of Europe for Applied Sciences (Campus Berlin).
- Lee, Sian. (2016). The Importance of Experimental Techniques in the Work of Boris Mikhailov. University of Europe for Applied Sciences (Campus Berlin).
Social Contribution Activities
- 2021 Student President, Ewha Womans University, The Graduate School of Policy Sciences, Seoul, South Korea
- 2020 Green New Deal Media Monitoring, Greenpeace, Seoul, South Korea
- 2018 Joined the Korean Green Party, Berlin, Germany
- 2014 Participated in Sewol Berlin activities, Berlin, Germany
Other Activity
- 2023 Attended Ho-jeong Hurโs ยปUnderstanding Photographic Images: Reading โบRoland Barthes on Photographyโนยซ, Word and Bow Academy, South Korea (Online Lecture)
- 2023 Attended Professor Yung Bin Kwak's ยปMedia Aesthetics - Introduction to Criticism of Digital Reason: From Spider Web to Black Boxยซ, Online Seminar
- 2023 Attended Professor Yung Bin Kwakโs ยปContemporary Philosophy - Thought, Machine, Mind: Mental Phenomenology of Machines and Humansยซ, Online Seminar
- 2023 Attended the 9th class of Je-won Jeongโs ยปKorean Sentences and Correct Sentence Writingยซ, Word and Bow Academy, South Korea (Online Lecture)
- 2023 Attended the 9th class of Je-won Jeongโs ยปKorean Words and Spacingยซ, Word and Bow Academy, South Korea (Online Lecture)
- 2021 Graduated from the Jungto Sutra Course: Certificate of Perfect Attendance, (Seocho Temple) Seoul, South Korea
- 2020 Buddhist Pilgrimage with Pomnyun Sunim, India
- 2019 Full Time English Course, Kingston College, London, United Kingdom
- 2018 Attended Professor Hyunjae Leeโs ยปElizabeth Grosz โบVolatile Bodies: Toward a Corporeal Feminism (1994)โนยซ Seminar, Institute of Women's Culture Theory, Seoul, South Korea
- 2018 Attended Professor Eun-Joo Kimโs ยปFundamentals of Feminist Philosophy2ยซ, Institute of Women's Culture Theory, Seoul, South Korea
- 2018 Graduated from the Jungto Buddhist Course: Certificate of Perfect Attendance, (Berlin Temple) Berlin, Germany
- 2018 Attended ยปPremature Premonition: Strange Landscapes of Contemporary Photographsยซ by Hyunho Kim, Jisoo Park, and Shinsik Kim, Elephant Space, Seoul, South Korea
- 2017 Book Reviewer Won-Seok Lee's ยปBook Review Writing Classยซ, Word and Bow Academy, Seoul, South Korea
- 2017 Attended Professor Gyeong-Ran Leeโs ยปReading in Depth Class about Rosi Braidotti's โบThe Posthumanโนยซ, Word and Bow Academy, Seoul, South Korea
- 2014 BTK Street Photography Workshop with Todd Weinstein and Thomas Keller, New York, USA
์ด์์ (a.k.a ์์ ๋ฐ์ด์ฐ๋ง)์ฌ์ง์ฐ๊ตฌ์ยท์ฌ์ง๊ฐ
1989๋
ํ๊ตญ ์ถฉ๋จ ๋น์ง ์ถ์
๋
์ผ๊ณผ ํ๊ตญ์ ๊ธฐ๋ฐ์ผ๋ก ํ๋
์๊ฐ
์ด์์์ ๋ น์๋น<๋๋๋, ๋ น์ > ๊ณ๊ฐ์ง ๋ฐ ๋ด์ค๋ ํฐ ํธ์งํ์์ ํจ๊ป ๊ธฐํ, ๊ต์ ยท๊ต์ด, ํธ์ง๊ณผ ๋ฒ์ญ, ๊ธฐ๊ณ ๋ฅผ ํ๋ค. ํ์ฌ๋ ์๊ฐ์ฌ์ง ๊ฐ์๊ธฐ์๋ก ๊ตญ๋ด์๋ ๋ค์ ์์ํ์ง๋ง, ์ฃผ๋ชฉํ ๋งํ ํด์ธ ์ฌ์ง์๊ฐ๋ฅผ ์๊ฐํ๋ค. ํน๋ณ์ฐ์ฌ ์๋ฆฌ์ฆ๋ก โ์ด์์์ ํฌํ ํ๋ ์ด์ : <๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ถ์์ฌ์ง>โ์ ๊ธฐ๊ณ ยท์ฐ์ฌํ๋ค. ์ฌ์ ํ ์๋ฑ(Safelight) ํ๋ ์๋ ์์ค์์ ์๋ ๋ก๊ทธ ๋ฐฉ์์ ๊ณ ์ํ๋ ์ฌ์ง ์ํ์ ์ด๊ดํ๋ฉฐ ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ฌ์ง ๊ธฐ์ ์ ์ค์์ฑ๊ณผ ํํ์ ๊ธฐ๋ฒ์ ์ฐ๊ตฌ ์ฃผ์ ๋ก ์ผ๊ณ ์๋ค.
ํ๋ ฅ ์ฌํญ
- 2020 ์ดํ์ฌ์๋ํ๊ต, ๋ฌธํ์์ ์ ์ฑ ๊ณผ, ์์ฌํดํ, ์์ธ, ํ๊ตญ
- 2019 ์ ๋ฝ์์ฉ๊ณผํ๋ํ๊ต, ์ฌ์ง๊ณผ, ํ์ฌ์กธ์ , ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2011 ๊ณ์์์ ๋ํ๊ต, ์ฌ์ง์์ ๊ณผ, ์ ๋ฌธํ์ฌ์กธ์ , ์์, ํ๊ตญ
๋ฌธํ์์ & ์ฌ์ง ๊ด๋ จ ํ๋
- 2024 ๊ณ์์์ ๋ํ๊ต, ์ฌ์ง์์ ๊ณผ, ํ ์ปค๋ฐ๋ฐ์ด ํฌํธํธํด๋ฆฌ์ค ๋ฆฌ๋ทฐ & ๋ถ์ผ๋ณ ๋ฉํ ๋ง ์งํ, ์์, ํ๊ตญ
- 2024 ์์ฐ๋ฌธํ์ฌ๋จ, ๋ฌธํ์์ ํ, ์ฌ์, ์์ฐ, ํ๊ตญ
- 2023 ํธ์๋ํ๊ต, ๊ณต์ฐ๋ฏธ๋์ดํ๋ถ, ๊ณต์ฐ ์ปฌ์ฒ ๋งค๊ฑฐ์ง <H-Perspective> ํธ์ง์ฅ, ๊ตฐ์ฐ, ํ๊ตญ
- 2023 ์์์คํ๋์ค(Sian's Studio), ๋ํ ๋ฐ ์ฌ์ง๊ฐ, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2023 ์๊ฐ์ฌ์ง, ๋ฒ ๋ฅผ๋ฆฐํนํ์, ์์ธ, ํ๊ตญ
- 2023 ์์์ปดํผ๋(Sian's Company), ๋ํ ๋ฐ ์์ ๊ฐ, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2022 ์ฒญ์ด๋ํ๊ต, ๊ณต์ฐ๊ธฐํ๊ฒฝ์ํ๊ณผ 3ํ๋ <Newspective Magazine> ํ๋กํ ์ดฌ์, ํ์ฑ, ํ๊ตญ
- 2022 ํธ์์ํธํ, ๊ณต์ฐ๋ฏธ๋์ดํ๋ถ ๋ฎค์ง์ปฌ ์ ๊ณต 3ํ๋ ์ฐฝ์์ค์ต < ํธ๋ก์ด์ ์ฌ์ธ๋ค>ํ๋กํ ์ดฌ์, ์์ธ, ํ๊ตญ
- 2022 ํ๊ตญ์์ ์ข ํฉํ๊ต ์ผ์ด์์ธ ํฌ๋ฆฌ์์ดํฐ๋ธ, ์ฝํ ์ธ ์ฌ์ ํ, ์ฃผ์์ฐ๊ตฌ์, ์์ธ, ํ๊ตญ
- 2019 ๋ น์๋น<๋๋๋ ๋ น์ >, ํธ์ง์์ํ, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2019 ์ฝ๋ฆฌ์ํ์ํ, ์ ์ <๋ฌด์ธ๋ค์ธ>: Kate Hers Rhee์ ์ํ ์ดฌ์, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2019 ๋กฏ๋ฐ๋ฐฑํ์ (์ ์ค), ์ฌ์ง๊ทธ๋ฃน์ <291Photographs*>, ์ ์ ์ฐธ์ฌ ์์ธ, ํ๊ตญ
- 2019 The Ballery, ์ํฐ์คํธ ์ ํจ์ง ์ธ 2๋ช ์ <La piele que explota> ํผํฌ๋จผ์ค ์ฌ์ง ์ดฌ์, ๋ฒ ๋ฅผ๋ฆฐ ๋ ์ผ
- 2019 ์ฃผ๋ ์ผํ๊ตญ๋ฌธํ์, ์ค๋ช ํ <๋ฒ ๋ฅผ๋ฆฐ์ ์ธ์์ง๋ ์์ ์ ์: ์ 3์ ์์ฐ>(Keum Art Projects)์ฌ์ง ์ดฌ์, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2019 ์๋๊ธฐ๋ฉ, ๋ ์ผ ์ ์ฑ ๋ถ์ ๋ฆฌ์์น ๋คํธ์ํฌ ๋ฐ์นญํํฐ ์ฌ์ง ์ดฌ์, ๋ฒ ๋ฅผ๋ฆฐ ๋ ์ผ
- 2019 ์ฝ๋ฆฌ์ํ์ํ, ์ํน(Waacking)๋์ค ์ํฌ์ ์ดฌ์, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2019 ์ค ๋ฆฌํํธ(Oh-Licht), ์ ํ ์ดฌ์, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2018 ์ ๋ฝ์์ฉ๊ณผํ๋ํ๊ต, ๊ทธ๋ฃน์ Re: Bachelor + Master Graduation Exhibition ์ ์ ์ฐธ์ฌ, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
- 2018 Solarent, ์ํฐ์คํธ(Dominik Noรฉ, Eilis Frawley, Jee Young Sim, Lisa Stewart)์ ๊ทธ๋ฃน์ <Der Projektraum Schneeeuleโs: To Pool #3> ํผํฌ๋จผ์ค ์ฌ์ง ์ดฌ์
- 2017 Project100 ์คํ๋์ค, <ํฌํ ์ด์์คํดํธ> ์ธํด ์ค์ต, ์์ธ, ํ๊ตญ
- 2015 ๊ทธ๋ ์ด๋ ์์ฃผ์ ์คํ๋์ค, <ํฌํ ์ด์์คํดํธ> ์ธํด ์ค์ต, ์์ธ, ํ๊ตญ
- 2014 Kunstquartier Bethanien, ํ๋ ์ดํฐ Maren Lรผbbke-Tidow์ ํด๋์ค ๊ทธ๋ฃน์ ์ ์ ์ฐธ์ฌ, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
์ฌํ๊ณตํ ํ๋
- 2021 ์ดํ์ฌ์๋ํ๊ต, ์ ์ฑ ๊ณผํ๋ํ์ ํ์ํ์ฅ ์ญ์, ์์ธ, ํ๊ตญ
- 2020 ๊ทธ๋ฆฐํผ์ค, ๊ทธ๋ฆฐ๋ด๋ ์๋ฏผ ์ธ๋ก ๋ชจ๋ํฐ๋ง ์ฐธ์ฌ, ์์ธ, ํ๊ตญ
- 2018 ๋ น์๋น, ๋น์ ๊ฐ์ , ์์ธ, ํ๊ตญ
- 2014 ์ธ์ํธ๋ฅผ ๊ธฐ์ตํ๋ ๋ฒ ๋ฅผ๋ฆฐ ํ๋, ์ฐ๋ ํ๋, ๋ฒ ๋ฅผ๋ฆฐ, ๋ ์ผ
๊ธฐ๊ณ & ๋ฒ์ญ ํ๋
- ใ์๊ฐ์ฌ์งใ, 12์ ํธ ISSUE 682, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ๋๋ ํผํฉ ๋งค์ฒด(Mixed Media)๋ฅผ ํ์ฉํ ์คํ์ฌ์ง ์ผ๊ณฑ ๋ฒ์งธ] ๋ฐ๋ค์์ ๋์ค๋ ํ๋ผ์คํฑ์ ์ฌ์ง ์์ ์ ์ฌ์ดํด๋งํ ๋น ํ ๋ฆฌ์ ๋ง๋ฅด์ผ์ค ํํ (Victoria Marques Pinto), 2024๋ 12์1์ผ
- ใ์๊ฐ์ฌ์งใ, 9์ ํธ ISSUE 679, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ๋๋ ํผํฉ ๋งค์ฒด(Mixed Media)๋ฅผ ํ์ฉํ ์คํ์ฌ์ง ์ฌ์ฏ ๋ฒ์งธ] ํด๋ก์ด ์ ์ฆ(Chloe Sells)์ ์ปฌ๋ฌ ์์ค์์ ์ฌํด์ํ ๋ฐ์ ํ๋ฆฐํธ, 2024๋ 9์1์ผ
- ใ์ํธ์ธ์ปฌ์ฒใ, 5์ ํธ, "ํ๋ก ํ๋ก์ ํธ โํผ์นญโ ์ 4ํ ์ ์ , ์ฌ์ง, ์๋กํ๊ณ ์ฐ๋ํ๋", 2024๋ 5์1์ผ
- ใ์๊ฐ์ฌ์งใ, 5์ ํธ ISSUE 675, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ๋๋ ํผํฉ ๋งค์ฒด(Mixed Media)๋ฅผ ํ์ฉํ ์คํ์ฌ์ง ๋ค์ฏ ๋ฒ์งธ] ์์ ์ฌ์ง๊ณผ ์์ ์ฌ์ง์ ๊ฒฝ๊ณ๋ฅผ ๋๋๋๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ๊ธฐ๋ฒ ์ฌ์ง๊ฐ ๋ ์ ์ฝ๋กฌ๋ณด(Lea Colombo), 2024๋ 5์1์ผ
- ใ์๊ฐ์ฌ์งใ, 4์ ํธ ISSUE 674, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ๋๋ ํผํฉ ๋งค์ฒด(Mixed Media)๋ฅผ ํ์ฉํ ์คํ์ฌ์ง ๋ค ๋ฒ์งธ] ์ฌ๋ฌผ์ ์์ ์ ์ผ๋ก ๋ค๋ฃจ๋ ์ฌ์ง๊ฐ ์ ์์นด ๋ฐํ์ฐ์ค(Jessica Backhaus), 2024๋ 4์1์ผ
- ใ์๊ฐ์ฌ์งใ, 3์ ํธ ISSUE 673, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ๋๋ ํผํฉ ๋งค์ฒด(Mixed Media)๋ฅผ ํ์ฉํ ์คํ์ฌ์ง ์ธ ๋ฒ์งธ] ์ด๋ฏธ์ง์ ๋ฌผ์ง์ ์กด์ฌ๋ฅผ ๋ฐ๊พธ๋ ๊ธฐ์ ๊ณผ ์ฌ๋ฃ๋ฅผ ์คํํ ์ธ๋ฐ์คํฐ์ ๋ธ๋ ๋จธ(Sebastiaan Bremer), 2024๋ 3์1์ผ
- ใ์๊ฐ์ฌ์งใ, 2์ ํธ ISSUE 672, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ๋๋ ํผํฉ ๋งค์ฒด(Mixed Media)๋ฅผ ํ์ฉํ ์คํ์ฌ์ง ๋ ๋ฒ์งธ] ํน๋ณํ ๊ดํ ์ฅ์น๋ก ํ๊ฒฝ๊ณผ ์ ์ ์ ๊ต์ฐจํ๋ ํ ๋ฆฌ ๋ก์ฌํ(Terri Loewenthal), 2024๋ 2์1์ผ
- ใ์๊ฐ์ฌ์งใ, 1์ ํธ ISSUE 671, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ๋๋ ํผํฉ ๋งค์ฒด(Mixed Media)๋ฅผ ํ์ฉํ ์คํ์ฌ์ง ์ฒซ ๋ฒ์งธ] โ์ํ์ ์ ๊ทผ ๋ฐฉ์โ์ผ๋ก ๋ชฐ์ ํ๋ ์๋ ์ค ํ์ด๋ฐ(Alex Heide), 2024๋ 1์1์ผ
- ใ์๊ฐ์ฌ์งใ, 12์ ํธ ISSUE 670, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ถ์์ฌ์ง ๋ค์ฏ ๋ฒ์งธ] ๋์ ๋ณด์ด๋ ์์ญ๊ณผ ๋ณด์ด์ง ์๋ ๋น ์คํํธ๋ผ์โ์๋ช ์ ์ฃผ๋ ํ์์ ํ๊ณผ ํ๊ดด์ ์ธ ๋ฐฉ์ฌ์ ์ ํ์โ์ฌ์ง์ผ๋ก ํฌ์ฐฉํ ๋์ฝ๋ผ์ด ํ์ํธ(Nicolai Howalt), 2023๋ 12์1์ผ
- ใ์๊ฐ์ฌ์งใ, 11์ ํธ ISSUE 669, [์ 11ํ ์ธ์ฌ ํฌํ ํ์ด(Unseen Photo Fair 2023) ๋ฆฌ๋ทฐ] ๋ค๋๋๋ ์์คํ ๋ฅด๋ด์์ ์ด๋ฆฐ ์ธ์ฌ ํฌํ ํ์ด(Unseen Photo Fair 2023) ํบ์๋ณด๊ธฐ, 2023๋ 11์1์ผ
- ใ์๊ฐ์ฌ์งใ, 10์ ํธ ISSUE 668, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ถ์์ฌ์ง ๋ค ๋ฒ์งธ] ์ฌ์ง์ ์ฐ์ฐ์ ๊ตฌ์กฐ๋ฅผ ๊ฐ์ํํ๋ ๋ง๋ฅดํ ๋๋ฆฌ๋(Marta Djourina), 2023๋ 10์1์ผ
- ใ์๊ฐ์ฌ์งใ, 9์ ํธ ISSUE 667, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ถ์์ฌ์ง ๋ ๋ฒ์งธ] ์ด๋ ์ผ๋ก ๋ง์ ์ผ๋ จ์ ๋์์ ์ฌ์ง์ผ๋ก ๋ณต์ ํ๋ ๋จธ๋ผ์ด์ด ๋ก๋ฒํธ์จ(Mariah Robertson)์ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ถ์์ฌ์งโ์ผ๋ฏธ๊ทธ๋จ(Chemigram)๊ณผ ํฌํ ๊ทธ๋จ(Photogram)โํผํฌ๋จผ์ค, 2023๋ 9์1์ผ
- ใ์๊ฐ์ฌ์งใ, 8์ ํธ ISSUE 666, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ถ์์ฌ์ง ์ธ ๋ฒ์งธ] ๋น์ผ๋ก ๊ทธ๋ฆฌ๋ ํ๊ฐ, ์ฌ์ง๊ฐ ๋ฆฌ์ฆ ๋์จ(Liz Nielsen), 2023๋ 8์1์ผ
- ใ์๊ฐ์ฌ์งใ, 7์ ํธ ISSUE 665, [ํน๋ณ์ฐ์ฌ-์ด์์์ ํฌํ ํ๋ ์ด์ : ๋์๋ ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ถ์์ฌ์ง ์ฒซ ๋ฒ์งธ] ๋ฏธ์ ๊ฐ์ฒ๋ผ ์ ๊ทผํ๊ณ ์์ ๊ฐ์ฒ๋ผ ๊ฐ๊ฐํ ๋์๋ โ์ปฌ๋ฌ ์๋ ๋ก๊ทธ ์ถ์์ฌ์งโ์ ๊ฐ์(Adaptations): ๋์ฝ ๋ฃจ์ค๋ง(Niko Luoma), 2023๋ 7์1์ผ
- ใ์๊ฐ์ฌ์งใ, 6์ ํธ ISSUE 664, โํฌ์คํธ ํด๋จผโ์ ์ต์ ์ ํํ ๋ณด๋ฆฌ์ค ์๋ฅ์ผ(Boris Eldagsen) ํ๋กฌํํ ๊ทธ๋ํผ(Promptography) ์ฐฝ์์์๋ถํฐ ์ฌ์ง ์กด์ฌ๋ก ์ ์ ํ์ฑ, 2023๋ 6์1์ผ
- ใ์๊ฐ์ฌ์งใ, 5์ ํธ ISSUE 663, ๋ ์ผ ์ด์์ฌ์ง๊ฐ ๊ดด๋ ๊ทธ๋์ฐ๋์(Gรถran Gnaudschun) ์๋ ์ฐ๋ ๊ด์ฅ(Alexanderplatz) ์ถ์ ์ธ์ ๋ฆฌ๋ฅผ ๋ฐฐํํ๋ ์กด์ฌ๋ค์ ํฅํ: ์ฌ์ง ์ธ์ด๋ก ์ฐ๋ํ๋ ๋ชจํ, 2023๋ 5์1์ผ
- ใ๋๋๋, ๋ น์ ใ, 21ํธ โ์์ ์ค์ง: ๊ตญ๊ฐ๊ฐ ๋ด ๋ชธ์ ๋ฒ์ฃํ ํ ์ ์๋คโ - ๋๋ ์ฌ์ฑ์ ์๊ธฐ ๊ฒฐ์ ๊ถ์ ํฅํ ๊ธด ์ฌ์ <๊ธฐ๊ณ >, 2022๋ 11์24์ผ
- ใ๋๋๋, ๋ น์ ใ, 20ํธ โ์ข ๋ ๋์ ๊ณณ์ ๋ฟ์ผ๋ ค ๋งค์ผ ๋ ธ๋ ฅํ๋ ์ฐ๋ฆฌโ ์ฝ๋ก๋19๋ก ๋ฐ๋ ์ผ์ 2๋ช ์ ์ธํฐ๋ทฐ<๊ธฐํ์ทจ์ฌ>, 2022๋ 4์11์ผ
- ใ๋๋๋, ๋ น์ ใ, 19ํธ โ์ฐจ๋ณ ๊ธ์ง๋ฒ ์ดํ์ ์ถ๊ณผ ์ฌํ ๊ทธ๋ฆฌ๊ณ ํด์ด ์ ์น: ๊ฐ๊น์ด ๋ค๊ฐ์จ ๋ฏธ๋โ - ์ด ํด์์์ ์ด์๋จ๊ธฐ ์ํด(2013-2018) ์ฌ์ง๊ฐ ์ ์ค ๋๊ฐ์ด ์ ํ๋ ํธ๋์ค์ ๋ ๋ค์ฏ ๋ช ์ ์ด์ผ๊ธฐ<๋ฒ์ญ>, 2021๋ 6์17์ผ
- ใ๋๋๋, ๋ น์ ใ, 17ํธ โ๋ ์ผ ๋ น์๋น ์ฐฝ๋น 40์ฃผ๋ ํน๋ณํธโ - ๋น์ ์ธํฐ๋ทฐ ๋ค์ฏ ๋ฒ์งธ: ํ๊ฑฐ ์ฟค์ฆ<๋ฒ์ญ>, 2020๋ 11์13์ผ
- ใ๋๋๋, ๋ น์ ใ, 16ํธ โCOVID19, ์ฌ๊ธฐ๋ก์ด ๊ฒฉ๋ฆฌ ์ํโ - ์ฅ๊ธฐํฌ์-์๊ฐ๊ฒฉ๋ฆฌ-ํ๋ก๊น ์บ ํ์ธ<๊ธฐ๊ณ >, 2020๋ 6์6์ผ
- ใ๋๋๋, ๋ น์ ใ, 14ํธ โ์ฅ๋ฒฝ ๋๋จธโ ๋ฌธํ ์์ ๋ก ๋ณด๋ ๊ฒฝ๊ณ: ๊ธ์ง๋ ์์ ๋ฅผ ๊ฟ๊พธ๋ฉฐ - ์ง๊ทนํ๋ ๊ฐ์ธ์ ์ธ ๊ทธ๋ฌ๋ -<์ฌ์ง๊ฐ ํฐ๋๋ฐ๋ผ(Tina Bara) ์์ ์ ๋จ์๊ธฐ๊ณ >, 2019๋ 12์31์ผ
- ใ๋๋๋, ๋ น์ ใ, 14ํธ โ์ฅ๋ฒฝ ๋๋จธโ ์ธํฐ๋ทฐ ๋ท - DDR์ ๊ฒฝํํ ์ฌ๋๋ค<์ธํฐ๋ทฐ ์ทจ์ฌ>, 2019๋ 12์31์ผ
- ใ๋๋๋, ๋ น์ ใ, 13ํธ ํธ์ง์ฅ ์ฐธ์ฌ, 2019๋ 9์6์ผ
๋ ผ๋ฌธ ์์ฑ
- 2021 ์ดํ์ฌ์๋ํ๊ต(๋ฏธ์ ์ฌํ๊ณผ), ์ด์ฉ์ฐ(๏งก็จ้จ, 1902-1952)์ โ๋ฌต๋กโ์๋ ํํ ์ฐ๊ตฌ - ์ธ๋ฌผํ์ ํ์กฐํ๋ฅผ ์ค์ฌ์ผ๋ก
- 2021 ์ดํ์ฌ์๋ํ๊ต(๋ฏธ์ ์ฌํ๊ณผ), ๋ฏผ์กฑ๋ฏธ์ ๊ฑด์ค๊ณผ ๋ฏผ์กฑ๋ฏธ์ ๋ก ์ ์ฑํ
- 2021 ์ดํ์ฌ์๋ํ๊ต(๋ฏธ์ ์ฌํ๊ณผ), ํด์ธ์ฌ ๋น๋ก์๋๋ถ๋ณต์ฅ ์ฌ์ ๋ฅ ์ ๋ฌผ์ ๊ดํ ๊ณ ์ฐฐ
- 2021 ์ดํ์ฌ์๋ํ๊ต(๋ฏธ์ ์ฌํ๊ณผ), ใ์กฐ์๊ฒฝใ ์ดํด : ์๋ฌธ๋ถํฐ ์ ๋ฒ ์ค์ฌ์ผ๋ก
- 2021 ์ดํ์ฌ์๋ํ๊ต(๋ฏธ์ ์ฌํ๊ณผ), ใๆตทๅฐๅฏบ แแ ขแแ ฅแจแแ ชแผแแ ฅแซยทแแ ฅแธแแ ฉแแ ฅแซ แแ ตแ แ ฉแแ กแแ กแแ ฎแฏ แแ ฉแจแแ กแผแแ ฒแแ ฎแฏ แแ ฉแแ กแแ ฉแแ ฉแแ ฅใ : ๋ฐ๊ฒฌ ๊ฒฝ์ ๋ฐ ์กฐ์ฌ๊ฐ์ ์ค์ฌ์ผ๋ก
- 2018/19 ์ ๋ฝ์์ฉ๊ณผํ๋ํ๊ต(์บ ํผ์ค ๋ฒ ๋ฅผ๋ฆฐ), Contemporary Color Photograms and Related Abstracting Analogue Techniques
- 2018 ์ ๋ฝ์์ฉ๊ณผํ๋ํ๊ต(์บ ํผ์ค ๋ฒ ๋ฅผ๋ฆฐ), Random Techniques and Authenticity in Modern Experimental Analog Photography
- 2018 ์ ๋ฝ์์ฉ๊ณผํ๋ํ๊ต(์บ ํผ์ค ๋ฒ ๋ฅผ๋ฆฐ), The Return of the Vanitas Still Life in the Present
- 2016 ์ ๋ฝ์์ฉ๊ณผํ๋ํ๊ต(์บ ํผ์ค ๋ฒ ๋ฅผ๋ฆฐ), The Importance of Experimental Techniques in the Work of Boris Mikhailov
๊ธฐํ ํ๋
- 2023 ๋ง๊ณผํ์์นด๋ฐ๋ฏธ, ํํธ์ ์ <์ฌ์ง ์ด๋ฏธ์ง์ ์ดํด: ใ๋กค๋ ๋ฐ๋ฅดํธ์ ์ฌ์งใ ์ฝ๊ธฐ>, ์จ๋ผ์ธ ์๊ฐ
- 2023 ๊ณฝ์๋น์ ์ํธ๋ฏธ๋์ด, ๊ณฝ์๋น ๊ต์์ <๋ฏธ๋์ด๋ฏธํ-๋์งํธ ์ด์ฑ ๋นํ ์์ค: ๊ฑฐ๋ฏธ์ค์์ ๋ธ๋๋ฐ์ค๊น์ง>, ์จ๋ผ์ธ ์ธ๋ฏธ๋ ์๊ฐ
- 2023 ๊ณฝ์๋น์ ์ํธ๋ฏธ๋์ด, ๊ณฝ์๋น ๊ต์์ <๋์๋์ฒ ํ-์๊ฐ, ๊ธฐ๊ณ, ๋ง์: ๊ธฐ๊ณ์ ์ธ๊ฐ์ ์ ์ ํ์ํ>, ์จ๋ผ์ธ ์ธ๋ฏธ๋ ์๊ฐ
- 2023 ๋ง๊ณผํ์์นด๋ฐ๋ฏธ, ์ ์ ์์ <๊ตญ์ด์ ๋ฌธ์ฅ๊ณผ ๋ฐ๋ฅธ ๋ฌธ์ฅ ์ฐ๊ธฐ> 9๊ธฐ, ์จ๋ผ์ธ ์๊ฐ
- 2023 ๋ง๊ณผํ์์นด๋ฐ๋ฏธ, ์ ์ ์์ <๊ตญ์ด์ ๋จ์ด์ ๋์ด์ฐ๊ธฐ> 9๊ธฐ, ์จ๋ผ์ธ ์๊ฐ
- 2021 ์ ํ ํ, ์ ํ ๊ฒฝ์ ๋ํ(๊ฐ๊ทผ์) ์กธ์ , ์์ด๋ฒ๋น
- 2020 ์ ํ ํ, <๋ฒ๋ฅ์ค๋๊ณผ ํจ๊ปํ๋ ์ธ๋ ์ฑ์ง์๋ก> ์ฐธ์ฌ, ์ธ๋
- 2019 ํน์คํด๋ํ๊ต, ์์ด <Full Time Intermediate Course> ์ดํ์ฐ์, ๋ฐ๋ ์๊ตญ
- 2018 ์ฌ์ฑ๋ฌธํ์ด๋ก ์ฐ๊ตฌ์, ์ดํ์ฌ ๊ต์์ <๋ซผ๋น์ฐ์ค์ ๋ ๋ก์์ ๋ชธ>, ์ธ๋ฏธ๋ ์๊ฐ, ์์ธ ํ๊ตญ
- 2018 ์ฌ์ฑ๋ฌธํ์ด๋ก ์ฐ๊ตฌ์, ๊น์์ฃผ ๊ต์์ <ํ๋ฏธ๋์ฆ ์ฒ ํ๊ธฐ์ด2>, ์ธ๋ฏธ๋ ์๊ฐ, ์์ธ ํ๊ตญ
- 2018 ์ ํ ํ, ์ ํ ๋ถ๊ต๋ํ(๊ฐ๊ทผ์) ์กธ์ , ๋ฒ ๋ฅผ๋ฆฐ๋ฒ๋น
- 2018 ์๋ฆฌํํธ์คํ์ด์ค, ๊น์ ์, ๊นํํธ, ๋ฐ์ง์์ <์ฃ๋ถ๋ฅธ ์๊ฐ: ๋์๋ ์ฌ์ง๋ค์ ์ด์ํ ํ๊ฒฝ> ์๊ฐ, ์์ธ ํ๊ตญ
- 2017 ๋ง๊ณผํ์์นด๋ฐ๋ฏธ, ์ด์์์ <์ํ์ฐ๊ธฐ ๊ต์ค> ์๊ฐ, ์์ธ ํ๊ตญ
- 2017 ๋ง๊ณผํ์์นด๋ฐ๋ฏธ, ์ด๊ฒฝ๋์ ๋ก์ง ๋ธ๋ผ์ด๋ํฐ <ํฌ์คํธํด๋จผ ๊น์ด์ฝ๊ธฐ> ์๊ฐ, ์์ธ ํ๊ตญ
- 2014 ์ ๋ฝ์์ฉ๊ณผํ๋ํ๊ต, ์ฌ์ง๊ฐ Todd Weinstein & Thomas Keller์ <New York Street Photography> ์ฌ์ง ์ํฌ์ ์ฐธ์ฌ, ๋ด์ ๋ฏธ๊ตญ
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